I can remember the good old days When you and me used to hide away Where the stars were shining or the sun was blinding our eyes. Yeah you filled up my glass With promises that could never last But I still find pieces of you in the back of my mind.
The opening lyrics of unreleased track Talk by Irish band Kodaline, from their debut album In a Perfect World (2013). My thanks to the ever awesome Tosha for making me aware of the song and the band. You’ll find her original poetry and singing on her blog here.
Vivian: People put you down enough, you start to believe it. Edward Lewis: I think you are a very bright, very special woman. Vivian: The bad stuff is easier to believe. You ever notice that?
Julia Roberts and Richard Gere in the modern day fairy tale Pretty Woman (1990). In the very fondly remembered film, a prostitute and a wealthy businessman fall in love despite vast differences in personality, wealth and social standing.
(narrating) Whatever happened to chivalry? Does it only exist in 80’s movies? I want John Cusack holding a boombox outside my window. I wanna ride off on a lawnmower with Patrick Dempsey. I want Jake from Sixteen Candles waiting outside the church for me. I want Judd Nelson thrusting his fist into the air because he knows he got me. Just once I want my life to be like an 80’s movie, preferably one with a really awesome musical number for no apparent reason. But no, no, John Hughes did not direct my life.
Congratulations to Emma Stone on her Oscar win for La La Land last week at the Oscars. Here she is in her breakthrough role playing Olive in the teen comedy Easy A (2010), which tells of a teen’s attempt to climb the social ladder backfiring spectacularly.
William: I live in Notting Hill. You live in Beverly Hills. Everyone in the world knows who you are. My mother has trouble remembering my name. Anna Scott: I’m also just a girl, standing in front of a boy, asking him to love her.
Hugh Grant and Julia Roberts in the romcom Notting Hill (1999), about a second-hand bookshop owner who falls for a famous Hollywood star after a chance encounter.
The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not.
The opening lines of the fantastically enchanting debut novel The Night Circus (2011) by Erin Morgenstern. I was spoiled for choice for which line to use, but I like that even from the very beginning the uniqueness and mystery of the circus has been set. Something completely pivotal to the story.
As long-time readers will know, I really am a big fan of family-themed sitcom Everybody Loves Raymond. And some of my favourite scenes were when the otherwise pompous Marie was brought down to earth by the only person willing to stand up to her, her husband Frank. And if you can’t get enough from Frank, there’s also a previous post here.
How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of being and ideal grace.
How do I love thee (Sonnet 43) was written by Victorian poet Elizabeth Barrett Browning ( 1806 – 1861) and is considered her most famous work. Browning had been writing poetry since the age of five and was an inspiration to later literary figures such as Edgar Allen Poe and Emily Dickinson.