Photography: #WinterWonderland in Hyde Park, London

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I’ve always liked ferris wheels, especially after watching the pivotal scene in The Third Man. So if you like what you see above, why not check out this shot from the same event last year, this photo from Leicester Square or the famous Prater Wheel in Vienna.

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Line(s) of the Day #SympathyForTheDevil

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Please allow me to introduce myself
I’m a man of wealth and taste
I’ve been around for a long, long year
Stole many a man’s soul to waste

Taken from the song Sympathy for the Devil by The Rolling Stones, from their acclaimed studio album Beggar’s Banquet (1968). I just had to add in another post for the English rock band as I saw them live earlier this year, to add to the songs of Gimme Shelter, Paint it Black and Ruby Tuesday

Line(s) of the Day #Columbo

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“Just a piece of advice. Find a different spot, or use a different bait. Otherwise you’re not going to catch anything, Lieutenant.”

Major General Martin J. Hollister (Eddie Albert) in the Columbo episode Dead Weight (1971). I’m a huge fan of the dishevelled detective, it’s clever format and the cat and mouse style interactions between the resilient sleuth and the different murderers (just like above). Indeed, I wrote a review of the show here. Without spoilers, feel free to share your favourite episodes. Mine is Try and Catch Me, starring Ruth Gordon as an Agatha Christie style writer, followed by The Most Dangerous Match, with Laurence Harvey as a tortured chess maestro.

Line(s) of the Day #Widows

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Veronica Rawlings: We got to start thinking like professionals. We’re in business together. There’s not going to be some cosy reunion. After this job, we’re done. We have three days to look and move like a team of men. The best thing we have going for us is being who we are.
Alice Gunner: Why?
Veronica Rawlings: Because no one thinks we have the balls to pull this off.

Viola Davis and Elizabeth Debicki in the super impressive heist film Widows (2018). Helmed by Steve McQueen, it features a tour-de-force ensemble cast and a sharp script based on a 1983 TV series by Lynda La Plante.