I’ve been delighted at the way my Foreign Favourites series has taken off, and the great standard that has been set by everyone so far. Today’s entry is the very cool Abbi at Where the Wild Things Are, whose site has a neat mix of film reviews and quirky top 10 lists, and sharing delicious recipes (and photos) and writing projects. I’ve been a fan of her site for quite a while now.
Das Leben ders Anderen – The Lives of Others (2006)
It’s East Berlin in 1984 and Stasi Agent Wiesler (Ulrich Mühe) is a skilled interrogator and dedicated member of the Secret Police, who not only works and an investigator but also trains new agents.
After attending the theatre with his friend and more senior colleague, Oberstleutnant Anton Grubitz (Ulrich Tukur), Wiesler suggests that the writer of the play, Georg Dreyman (Sebastian Koch) might be someone they should keep an eye on – a sentiment shared by Grubitz’s boss, Minister Bruno Hempf (Thomas Thieme), who happens to want Dreyman’s beautiful actress girlfriend, Christa-Maria (Martina Gedeck) for himself.
Grubitz puts Wiesler on the case and he sets about bugging Dreyman and Christa-Maria’s flat and spending his days and nights listening in on them and their artist friends, because surely if the Minster thinks that Dreyman is up to something, he must be. But as Wiesler starts to uncover the real motivations for the Minister’s scrutiny and becomes ever more fascinated with Dreyman he starts to question himself and his motivations, leading him down a road that will ultimately put all of their lives in jeopardy… because in a country where Big Brother is always watching, anyone could be an enemy of the state.

Wiesler knew it was essential to the GDR’s survival to get citizens on board young, but this new partner was a joke!
There has been a lot of positive buzz around this German thriller since it came out and I have to say that I completely agree with it. Not only are Wiesler, Dreyman and Christa-Maria complex and well-developed characters that it’s easy to become invested in, but Wiesler’s crisis of conscience and confidence in the system he has believed in unquestioningly is an awakening anyone can identify with. Mühe gives a skilled and subtle performance playing a character with such a range of emotions as he has extremely limited dialogue and both Koch and Gedeck are more than competent.
Writer/director, Florian Henckel von Donnersmarck does an outstanding job of creating a bleak, muted colour palette that reflects the constraints that the GDR places on its residents, preventing them from exploring their creativity and uniqueness which makes it even more impressive The Lives of Others has some seriously nail-biting moments, which kept me at the edge of my seat for its 137 minute run time.
Very highly recommended. 5/5
My thanks to Abbi for such a good review. I saw it when it came out at the cinema and echo her thoughts. It really is a magnificent film and a great selection for the series.
I love this movie. Its such a shame that Ulrich Mühe died before the film was released
Did he? That’s so sad. He was amazing. Such heart!
Yeah he gave a beautiful performance 😦
Very sad. But he left a great legacy with a superb performance 🙂
Thanks so much for the kind words, Alex. I’ve been meaning to see this for ages and I am so glad I did.
NW. It beat Pan’s Labyrinth to Best Foreign Film at the Oscars.
That is a tough competition. I think I would pick it too though but it would be really close.
I’d probably pick Pan’s Labyrinth but there’s so little to split it it comes down to preference. I actually interviewed the writer/director of The Lives of Others film when it came out. I’ll put it up tomorrow.
Reblogged this on Where The Wild Things Are and commented:
My latest guest blog. This time I reviewed The Lives of Others for the very cool Alex Raphael’s Foreign Favourites series.
Thanks so much for all the kind words, Alex!
This was a great film — very nice review!
Love this film, excellent review Abbi!
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I’ve seen this one 🙂
Good review Abbi. It’s very tense and eerie, but also very humane once that end comes into play. Shame the lead actor in this died. Because something tells me he would have had a brighter future in Hollywood after this.
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